Wednesday, 17 November 2010









Saturday, 13 November 2010




Now I have started thinking about patterns using the idea of a Twill weave which relates to the rope theme which I have carried through my project. As ropes are twisted together when placed entwined together it’s a series of diagonal’s going in different directions, so I have played with that idea and focused on twill patterns.
These series of picture are all samples which I have been playing with to create a final design which will be 40x40cm. When I have been playing with these samples and yarns, trying to build texture, but also want to think about concepts, what am I making this for? Furniture, Cloth, Cushions, House accessories, Rugs??
This is something which I don’t think I visualise and think about enough in my design process. I want explore more interesting techniques, which will then excite me to create a 40x40 cloth. Do I make one whole series or do I make 4 and stitch them together, am I looking at a stripe fabric? Or am I looking at continuous pattern. All these ideas and questions are something I can only answer by experimenting.

I have been using a series of different yearns in different texture to create a series of similar creations but something which relates to my Glocalisation research. So basing my project on Greece I have had to create a colour palette in yarns which relates.
I have decided to work with one picture which I really feel I have based my inspiration on, because I love this picture it has so much feeling, atmosphere and meaning to it. Every time I think of Skiathos it’s always an amazing memory and exciting place with really inspired me.
So with that picture in mind I have created this colour palette to use in my samples & designs.


So last time I blogged about my weave I was setting up my loom.
Now I am full into swing of things on a Harris Loom. This is completely different to the hand looms which we used in stage 1, because all your patterns are put into the loom and electronically saved on the memory. So every time you come to weave all the patterns which you might want to create are saved. So you can just start weaving which takes away a lot of lost time.
So once you have threaded your threading plan, you then have to putt all your threads through the raddle in groups of two, depending on your structure and plan.
You then tie on and wind down so you can start weaving to get the right tension in the material and stabilize the base to create your cloth.


My Elective.
Still not sure really what to think of it.
When it came to choosing electives I wanted to do something different, which could inspire my creative route a different way, bringing our more expressional ideas and experiments. This elective has not been what I thought at all. Its very much computer based, but also interior and spatial designed. Which you would have thought would have benefitted me being on a textiles course. Not quite. We have looked into some of the strangest ways of thinking and exploring, which don't really excite me or interest me.
Yesterday was based on perspective drawing, which was interesting to watch and learn about this guest lecturer who designs formula 1 car, but not necessarily the type of thing which could benefit my work.
The one thing I do enjoy and thought would be more off, if working my sketch book. I like to produce contemporary, neat look book style sketchbooks. Which are more though out than an every day doodling.
Maybe its something i will relaise has had a posotive affect on the way i think about drawing and sketching at the end when it maybe comes into practice in my work.


On the 9th December i am off to Frankfurt with Miss J and Mr T.
I cannot wait. I love big german christmas markets, their christmas spirit os so enchanting and inspiring. Just a quick weekend trip after our exhibition, will be exactly what i need. It has been said to be one of the top Christmas markets in Europe.
The magical setting of Frankfurt's Christmas market, one of Germany's oldest and most popular markets, is adorned by an enormous, twinkling fir tree at Römerberg, in the heart of the Old Town.



